Public Domain Day - 2026

Welcome to 2026, and our annual celebration of Public Domain Day!

This year, movies from 1930 that are now in public domain include:

Betty Boop’s first cartoon Dizzy Dishes, and several more Mickey Mouse cartoons

All Quiet on the Western Front

Animal Crackers – starring the Marx Brothers in their second film.

In King of Jazz, in which, as the Center for the Study of Public Domain, Duke Law Center astutely notes: a man gets drunk and stammers: “You know what’s the matter with this country? It’s a tariff! That’s who!”, referring to the 1930 Smoot-Hawley Tariff Act that worsened the Great Depression and eerily reflects our own troubled times.

Morocco with Gary Cooper and Marlene Dietrich

The Blue Angel, likewise, with Marlene Dietrich in her breakout role, introducing her to American audiences.

Hell’s Angels – Jean Harlow’s first film

The Big Trail – John Wayne’s first feature role, though his stardom would wait until later in the decade.

Free and Easy – Buster Keaton’s first speaking role and singing role. 

For more on the movies, books, music, and art of 1929 that now enters public domain, have a look at this Center for the Study of Public Domain, part of the Duke Law Center website.

Here's a look at past posts on movies entering public domain:

Another Old Movie Blog: Public Domain Day - 2025

Another Old Movie Blog: Public Domain Day - 2024

Another Old Movie Blog: Public Domain Day - 2023

Another Old Movie Blog: Public Domain Day - 2022

Another Old Movie Blog: Public Domain Day - 2021

Another Old Movie Blog: Public Domain Day - 2020

 

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Jacqueline T. Lynch is the author of Ann Blyth: Actress. Singer. Star. and Movies in Our Time - Hollywood Mirrors and Mimics the Twentieth Century and Hollywood Fights Fascism and Christmas in Classic Films. TO JOIN HER READERS' GROUP - follow this link for a free book as a thank-you for joining.

My new non-fiction book, CHILDREN'S WARTIME ADVENTURE NOVELS - The Silent Generation's Vicarious Experience of World War II -- is now available in eBook here at Barnes & Noble, Apple, Kobo, and a wide variety of other online shops.

Or here from my Shopify store if you want to buy direct from me and avoid the big companies.

And it is here in eBook, paperback print, and hardcover, from Amazon.

It is also here in paperback from Ingram.

And here in hardcover from Ingram.

From Cherry Ames, to Meet the Malones, from Dave Dawson to Kitty Carter - Canteen Girl, the Silent Generation spent their childhood immersed in geopolitical events through the prism of their middle grade and young adult books.  From the home front to the battlefield, these books are a window on their world, and influenced their hard-working, conformity-loving generation. 

 

 

More Cement, Take Two

For Jean Harlow, whose stardom seemed cemented after her soon to be nationally released “Dinner at Eight” (1933), it was case of “try, try again” when getting the star treatment at Grauman’s Chinese Theater.

On September 25, 1933, she was the main attraction on stage at the Chinese Theater for a live ceremony before a paying audience to watch her plunk her hands and her high-heeled shoes into a slab of wet cement. Presumably flashbulbs, presumably applause, and presumably a handy towel to wipe the gunk off her hands and shoes.

Not presumed at all was the quick-drying cement, which had dried so quickly that when the slab was attempted to be moved, it was dropped. Smashed to smithereens.

Take two. Four days later, a very game Jean Harlow repeats the ceremony, this time outdoors on the sidewalk, on September 29, 1933. “To Sid in Appreciation - Jean Harlow” she signed the new slab of wet cement, and presumably Sid Grauman appreciated her return engagement.

Jean Harlow, sadly, did not have too many more second chances in her young life. She died four years later in 1937, at 26 years old.

For more on the footprints in cement occasion, have a look at this website.

Louise Beavers

Louise Beavers reportedly aspired to be a physician when she was a young woman, but opportunities were limited for women in the early part of the 20th century, especially if they were not well to do, and particularly if they were African-American. She trail-blazed in another way, becoming the first African-American actress to play a substantial role on film that showed a multi-dimensional character.

“Imitation of Life” (1934) was Miss Beavers’ most prominent role, sharing the spotlight and the storyline equally with star Claudette Colbert. The story of a woman whose light-skinned daughter callously rejects her mother in attempting to pass for a white woman cut to the heart of a racist Hollywood and a racist America, drawing controversy from both white and black commentators. It was also the story of a career woman, who begins as a simple cook but who becomes a famous entrepreneur and merchandiser not only of her own product but her own image. Many felt at the time that Miss Beavers was robbed when her performance was not acknowledged with an Academy Award nomination.

It was an important role in a potentially important film, but after that a string of the regular domestic servant roles became the mainstay of Louise Beavers’ career. However, she played opposite some of Hollywood’s most glamorous stars, including Mae West, Jean Harlow, with whom she appeared in “Bombshell,” and Bing Crosby and Fred Astaire in “Holiday Inn.”

Later, Miss Beavers broke new ground again by starring in “Beulah,” the first TV sitcom to feature an African-American. Three other actresses also took turns at that character, one of them being her good friend, Hattie McDaniel, who also knew something about the trials of reaching for success in Hollywood while dressed in a maid’s costume. These two ladies were character actresses who could have been, and should have been, stars.