IMPRISON TRAITOR & CONVICTED FELON TRUMP.
Showing posts with label Rebecca. Show all posts
Showing posts with label Rebecca. Show all posts

Monday, March 31, 2008

Florence Bates

Florence Bates played small, though sometimes memorable roles, as a character actress in films and on television until her death in the mid-1950s. She was the bullying, vainglorious and vulgar Mrs. Van Hopper in “Rebecca” (1940). A career portraying unpleasant society women with sharp tongues was probably not what she intended when she became the first female lawyer in the state of Texas in 1914 at the age of 26.

Miss Bates practiced law at least until the middle 1930s, when something induced her to become involved with the Pasadena Playhouse. Her first film role came in 1937, a brief, non-credited part. However, she zoomed to fame as Mrs. Van Hopper in her second film, and from then on perhaps law looked a little dull.

Not all her roles were as pivotal to the story of the film; she played a lot of walk-on parts as shoppers in various movies that took place in stores, like “Kitty Foyle” (1940) and “The Devil and Miss Jones” (1941). She reprises her nastiness as the sour landlady Mrs. Jekes in “Portrait of Jennie” (1949), and plays a kinder, gentler society dame in “I Remember Mama” (1948) as the famous writer Irene Dunne approaches on behalf of her daughter to ask advice on writing. Miss Dunne, judging by Miss Bates’ girth, surmises that this famous writer is also a famous eater, and bribes her with a Norwegian delicacy.

Apparently, Miss Bates did not mind portraying stereotyped heavy eaters anymore than she minded playing bossy women, as she has a very brief scene on the train in “Since You Went Away” (1944) complaining about not getting enough to eat on trains these days while gobbling corn on the cob.

You’ll know her when you see her, in this and many other films even though her role may be small. She had a big screen personality.

Tuesday, May 22, 2007

Sir Laurence Olivier - 100th Anniversary

We cover three giants this week with a great many differences between them, but one particular thing in common, which is the 100th anniversary of their births. Katharine Hepburn, born May 12th, Sir Laurence Olivier, born May 22nd, and John Wayne, born May 26th, all in the year 1907, have different strengths and talents, but all with such remarkable screen star quality.

Sir Laurence, though he belongs unquestionably to the theater world, especially noted for his interpretation of Shakespeare’s plays, nevertheless found himself a place in Hollywood as well. “Hamlet” (1948) is the only filmed version of one of Shakespeare’s plays to win an Academy Award, in which he stars, directed, and also produced.

This same elite performer of classics appeared at home as Mr. Darcy in “Pride and Prejudice” (1940) as he did playing the dapper and aloof Mr. de Winter, haunted by his past in “Rebecca” filmed that same year, coming in off the success of “Wuthering Heights” (1939) that made his brooding, anguished portrayal of Healthcliff the definitive.

In 1941, there is an odd about-face in the role of boisterous French-Canadian Johnnie the Trapper in “49th Parallel,” a British film made by Ortus Films, Ltd. Even in character parts (which not too many stars of the day would stoop to taking when they had achieved star status), Sir Laurence takes over the screen. He is also to have reported to have worked at half salary on behalf of the United Kingdom’s war effort. He may have been as well known for his marriage to actress Vivien Leigh during these years, but name recognition does not seem to be something he had a problem with once the camera, and the public, discovered him for his own prodigious talent.

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