Memorial Day, when heroes should be remembered with reverence for fighting not only for our country, but for the very idea of democracy.
Robert Cummings in Saboteur (1942) has an inspirational showdown of words with Otto Kruger.
Memorial Day, when heroes should be remembered with reverence for fighting not only for our country, but for the very idea of democracy.
Robert Cummings in Saboteur (1942) has an inspirational showdown of words with Otto Kruger.
What I particularly admire about him is his range of work that extended to theatre, movies, television, radio, and even spoken records. He produced and directed as well as acted, and was connected with some of the best productions and the finest talent in his industry, from his early work with the Federal Theatre Project, to Orson Welles' Mercury Theatre, and he seemed to connect again and again with actors like himself who floated effortlessly between stage and screen. One such person he worked with on different occasions and was friends with for decades was Dorothy McGuire. He first met her when they were in summer stock together in 1937. He once said of her: “She was an actress of great instinct and she trusted her instinct."
“If you think of the performances [in movies] like Gentleman’s
Agreement, Dark at the Top of the Stairs and Friendly Persuasion, what you
got was almost a definitive American woman: With her look, her manner, her
breeding, she represented the best in what we would conjure up as a perfect
American woman.”
Broadcast in January and February, the three episodes deal with Miss McGuire as the matriarch of a Massachusetts political family who is undergoing a cardiac procedure. In the first episode, Mr. Lloyd's character, a physician and administrator of the Boston hospital, is resentful of the attention she is commanding from the hospital administration, mainly because her politician husband denied him an important state appointment because Dr. Auschlander is a Jew.
Two particular scenes between them are a gift to classic film fans. First, when he confronts her with his disgust and she responds with the knowing sadness of her husband's bigotry, and the second is when she leaves her hospital room and visits his office, giving him the large certificate announcing he has at last been given this prestigious appointment. She has pulled some strings on his behalf. In turn, he gives her a painting of a lighthouse done by his wife that he hopes will remind her of her beloved home on Cape Cod. As she enters his office, he is playing a record of the opera La traviata, which she recognizes. It is a favorite of hers, and she asks to remain to listen with him.
That perhaps is the theme of Mr. Lloyd's later years. It was never too late.
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Jacqueline T. Lynch is the author of Ann Blyth: Actress. Singer. Star. and Memories in Our Time - Hollywood Mirrors and Mimics the Twentieth Century. Her newspaper column on classic films, Silver Screen, Golden Memories is syndicated nationally. Her new book, a collection of posts from this blog - Hollywood Fights Fascism - is available here on Amazon.