Andy Hardy’s Private Secretary
(1941) celebrates the high school graduation of Mikey Rooney as Andy Hardy, a
member of the class of 1941. Spring
Reunion (1956), starring Betty Hutton and Dana Andrews, is a look at
another class of ’41 at their 15th reunion. The first movie idealistically launches teenagers
into their newly proclaimed adulthood at the first major accomplishment of
their lives—commencement, and the latter film looks back with a wistful sadness
and even frustration, questioning just what have they accomplished since.
We’ve mentioned before the deeper
meaning of being a member of a high school graduating class in the spring of
1941 in this previous post on Peyton Place (1957). Though World War II had already begun and
most young people were likely expectant that the U.S. would join the Allies
sooner rather than later, it must have been a strangely unsettling feeling
graduating from high school that spring of 1941. Plans for further education, or job options,
would have been made probably only tentatively, with an uneasy suspicion of the
lack of permanence in a world catching fire.
Andy Hardy plans to go to
college, but with his typically jubilant frenzy, he never gives the impression
he suspects his plans might be knocked out by the war. (We discussed his next venture in this post on Life Begins for Andy Hardy - 1941) Mikey Rooney, a workhorse actor whose well
over 300 films began when he was barely old enough to tie his shoes, had traded
a long run as “Mickey Maguire” for a long run as Andy Hardy by 1937 and Andy Hardy’s Private Secretary was tenth in the series. He could play the part with his eyes closed,
and the mugging all-American fella in the sweater vest was Louis B. Mayer’s schmaltzy
paean to American boyhood, a mantle not always worn comfortably by Rooney.
Lewis Stone is his long-suffering
pop, Judge Hardy; Fay Holden is his adoring and somewhat ditzy mom; Sara Haden
is back as doting maiden Aunt Milly who lives with them, and who teaches
English at the local high school. Older
sister Marian is absent from this entry in the series and it is explained that
she’s away in New York City.
Ann Rutherford’s back as Mikey’s
best girl Polly, and spends most of the movie in a jealous snit. The main diversion for the Hardy clan,
besides Andy’s struggle to graduate, is the Land family. Widower Ian Hunter lives in a small cottage
on the other side of the tracks with his son Harry, played by Todd Karns; and
his daughter Kathryn, played by Kathryn Grayson in her first movie. She is the reason Ann Rutherford’s in a
jealous snit. The secondary characters are always more interesting in the Hardy
series because we already know Andy’s going to be okay no matter what. His
family will always bail him out, and he’s Uncle Louis B. Mayer’s pride and joy.
Young Miss Grayson is fresh-faced
and natural, and I think her appearance here is actually less affected than
some of her later performances when her career had hit its peak in the
following decade. Her voice, of course,
is lovely and she gets to display her talent more than once in this film, most
notably in selections from Lucia di Lammermoor. Louis B. Mayer convinced her to turn down her
dream of an operatic career in favor of the movies. A purely unselfish act on his part, you understand.
Todd Karns, son of our favorite
smarmy bus passenger, Roscoe Karns (“Shapely’s the name, and that’s the way I
like ‘em”), also made his film debut in this movie. It is never said that the Land siblings are
twins, but they are both graduating, and because they are poor, Karns does not
have the requisite white flannel pants, and Grayson does not have the requisite
silk stockings (still available even with the war on?) to take part in the
ceremony. Mickey Rooney, their fairy
godfather, will take care of that.
They had lived with their dad in
Europe for several years, but the war has put a damper on his travel business
(nobody wants to vacation in war zones, go figure), and working in a garage is
the only job he’s been able to find. His
ability to speak nine languages will be just the angle for Judge Hardy to give
him a hand up at the end of the movie.
Anybody who enters the Hardys’ magical sphere is always the better for
it.
There is something amusingly
snobbish about Louis B. Mayer’s version of a perfect America where Andy Hardy,
the son of a judge, and Polly Benedict, the daughter of the local banker, are regarded
as typically middle class—both will be presented with brand-new cars by their
dads—while Mr. Land, who must work in a garage as a mere “working man,” the
expression used to be, is regarded as somehow pitiable. Judge Hardy must remind his son to be nice to
the Land kids and include them in their own graduation ceremony.
Kathryn Grayson is the private
secretary in the title, assigned to help Mickey in his duties as class
president in the final hectic weeks of senior year. He has the ceremony to arrange, the yearbook,
is writing the class play, and as a result of his over-extending himself, he
flunks his English final. Even Auntie
Milly could do nothing to save him.
Todd Karns, who is understandably
fed up with Mikey’s antics with the resentment a poor kid has for an
upper-middle class kid who’s getting a brand-new car for graduation,
nevertheless finds the loophole to get him a makeup test and together with
Kathryn and Ann Rutherford, stays up all night and force-feeds English grammar
rules into Mickey’s thick head.
Kids today might regard the
importance of English grammar on the same level of unbelievability as the
apparent social shame of not owning white flannel pants.
Todd is given the chance to pay
off his graduation fee and contribute to the festivities by being allowed to
decorate the high school auditorium for graduation. Not only does he win the prestigious $25
prize for academics and citizenship, but his artistry is rewarded by being
offered a job creating window displays for a local department store. This is more than just a convenient happy
ending or a deus ex machina, at least for our purposes in examining the
cultural background of movies. It tells
us a little more. These are kids who
want to work, have seen their father struggle, and they want to help him and pay
their own way. The Great Depression is
receding, but it’s all these teens remember and it will mark them for life, and a job, any job, made one a
winner, at least in one’s own mind. We might wonder how Kathryn can have such a
polished coloratura soprano voice with no mention of voice teachers, but we can
accept that Todd might not have plans for college and be thrilled at starting a
career in a department store.
If you can find a department
store in your town that is not a chain, they still likely may have an outside
advertising agency handling that for them.
Once upon a time, retail was local, every facet of running the store, nothing
outsourced, and the boss was the owner.
At one point, Mickey announces,
“I don’t live in the present. I belong
to the future.”
The future, at least fifteen
years down road, is where Spring Reunion takes us. The town of Carson
might not be so very different from the Hardys’ town of Carvel, but the seaside
burg has undergone a lot of real estate development in the backwash of the war.
Jean Hagen, who plays Betty Hutton’s girlhood chum, returns to her old hometown
for the reunion with the bemused, incredulous, “What happened to this town
anyway? Supermarkets, ranch houses….”
The movie sinks us into sleepy springtime nostalgia with the opening credits taking the form of
yearbook pages. Betty Hutton had been
“most popular girl.” Dana Andrews had
been “most likely to succeed.” Jack
Frazer plays the football hero. Jean
Hagen had a less stellar high school identity; she is comically noted as a
chess club captain and assistant proofreader of the yearbook. When she arrives to attend the reunion, she
is on a much-needed vacation from her husband and four kids. She is perhaps back not
so much to relive the glory of her high school days—they were not so
glorious—as she is on much-delayed, last-chance at being the person she wanted to be then.
Betty Hutton is one of the
organizers of the reunion, and it’s easy to see why she was voted most
popular. No “clique” is inferred here,
her popularity comes from her genuine likeability and her friendliness with
everyone. Betty Hutton is really quite
appealing in this quiet role. Some of
her other movie performances tend to jump into your face and choke off your
air. This role, her last film, perhaps
because of the nuance of wistfulness, of sadness below the surface, is more intimate and
draws our interest and our sympathy.
Betty’s problem, opposite from
Jean Hagen’s, is that she is not married and has no children. She helps her father run a successful real
estate business, but the refreshing sight of seeing a woman in this period
capably handle a business with authority is tempered by the sight of the woman
questioning her self-worth because of not being in a romantic relationship. Her bigger problem is one she does not
see: Her father, who calls her “Kitten,”
is entirely too clingy. Played by Robert
F. Simon, Papa seems to enjoy his daughter’s company more than his wife’s. She is played by Laura La Plante, and her
eyes are wide open to the situation, and she tries to tactfully pull him
away. A subtle point made with the set
decoration is seen late in the movie when we see two photos on either side of her
father’s desk at the office. One is a
portrait of his wife. The other, perched
across the desk on the other corner as if in a world of its own, is a photo of
he and his daughter together.
We see some old friends at the
reunion, character players who would find more prominent places in pop culture
in television: Irene Ryan as the innocent class advisor growing tipsy on spiked
punch would later play Granny on The Beverly Hillbillies. Herbert Anderson was the dad of Dennis the
Menace, Ken Curtis was Festus on Gunsmoke, Richard Deacon came back
as Lumpy Rutherford’s dad in Leave it to Beaver. Betty Hutton would also make a break for the
world of TV in her The Betty Hutton Show as her next gig. It was a time of new beginnings.
Though she is mocked as a no-talent leftover from an old school show, voice actress Sara Berner is splendid as Paula Kratz, who does impersonations of movie stars being interviewed by Louella Parsons.
There are the usual jokes at the
reunion about weight gain, hair loss, and the anxiety of not measuring up to
who they thought they’d be fifteen years down the road, still dwelling in the
identities they had in high school. The football hero is the only one who seems
to be a case of arrested development, enjoying game reels of himself and
reliving past glory on the gridiron. The
others are more uncomfortable with themselves.
Dana Andrews has no interest in
the reunion. He’s only in town to sell
his family’s beach house, which Betty, as a real estate agent, is happy to
handle. It is only a desire to see her again
that evening that he shows up reluctantly at the reunion. The event fills him more with disgust than
nostalgia. He had been class president,
but squandered opportunities through the years with an inability to be happy at
anything. Perhaps he could have used a
secretary like Kathryn Grayson.
They leave for a long walk and
what ends up being a long night of talking about themselves, escape on a
sailboat, and renewing something of what could have been a romance in high
school if either had been ready for it.
They may not be ready for it now, but their mutual attitude is they have
nothing left to lose, and maybe nothing left to expect from life.
They end up on the rocks—literally,
as the sailboat takes refuge below the lighthouse where the local lighthouse
keeper, played by our old friend James Gleason, longs for company and card
players. He and Dana are old friends.
Meanwhile the football hero, his wife
out of town, cozies up to Jean Hagen, who is half excited and half scared to be
finally paid the attention she never was in high school. She comes daringly close to an affair, but
will think the better of it by morning when she decides she wants to return to
her family.
Betty and Dana have not come to
their senses in the light of day. They
decide to run off to be married, but her dad makes one last ditch effort to
keep her by dangling a job, a partnership for Dana. Dana walks out, because he
always walks out on opportunities and doesn’t want to feel trapped, and it is
supposed to be a moment of triumph for our Betty when she runs out into traffic
with her suitcase to go with him. Perhaps her first impulsive move will be his
first effort at commitment and both will be happy at last.
Where were Kathryn and Harry Land
fifteen years after graduation? Did he make
it through the war? Did she ever sing in
public again? Did they go to their 15th
reunion at Carvel High?
*********
