On "No Down Payment": Anne said...This is what makes me wonder if Jeffrey Hunter and Patricia Owens'scharacters had even consumated thier marriageThe kid's got a broken radio, Jeff pulls out a screw driver and sets to work.Tony Randall gets smarmy with Jeff's wife and he's a frozen bystander...if Tony was mashing a radio, I think Jeff's character would have sprun into action. March 9, 2013
On "Trooper Hook": Vienna said...Wonderful review ! I haven't seen TROOPER HOOK for a long time but hope it becomes available on DVD. You describe Joel and Barbara's characters so well. An unusual role for Barbara. I guess she chose to do it for that reason. March 11, 2013
Anne said...Thank you for writing about this little gemOne can see this film on the encore west channel now and then and it's astonishingly good. With a budget not enough for a modern office pastry cart, it shows what can be done with excellent writing and acting....and directing. I love how we see the tiny stage from afar, then we see it though Nanches legs, we are right behind him, and we now know he's on their trail...it makes him almost a gonzilla of a threatChildren: let Mr. McCrea and Ms Stanwyck show you how it's done.They are hotter across a dusty feed store than many buck necked couples in love scenes today.March 7, 2013
On "Any Number Can Play": Vienna said...I love this film. Great cast, though I hate seeing Audrey Totter so totally wasted. All Audrey seemed to do was stand around with a glass in one hand and cigarette in the other.I thought Alexis Smith did well ,playing a woman whom I 'm sure was meant to be older than Alexis who was probably about 30 at the time.Great to see Mary Astor though,again, what a small role. And Marjorie Rambeau is always a joy.It could have been a play, with the only sets the gambling club and Gable's house.An unusual role for Gable and he was convincing.March 1, 2013
On Anita Sharp-Bolster: Vienna said...I've just see Anita in THE LONDON BLACKOUT MURDERS and she is so good as another battle-axe character , but with a touch of comedy . Nice tribute. Thanks.http//:dancing lady39.wordpress.com February 2, 2013
On Victor Jory - On Stage and Screen: Vienna said...Thanks for great tribute to Victor Jory whom I like, especially in a couple of films where he isn't the villain! In FIGHTING MAN OF THE PLAINS, Victor does his best to help Randolph Scott and becomes a good friend to Scott's character. Such a contrast to Victor's usual roles. I also liked him in a little B, THE UNKNOWN GUEST where he is the leading manI had no idea Victor and Alexis Smith did two plays together - thanks for the information. Oh to have seen them!January 24, 2013
On And Then There Were None: Ryan said...I bought this years ago on DVD, and it's still my favorite movie version of this story. The cast was perfect, and to tell you the truth, though I love the book, I almost prefer this ending. I think it's the hopeless romantic in me.February 19, 2013
“Bell, Book & Candle” (1958) begins its story on Christmas Eve, carries the plot a few months into the spring, and never really mentions Halloween, but since the story is about a witch, Halloween is never far from our minds.
Kim Novak plays the anthropology major-turned-dealer in native art who lives behind her shop in Greenwich Village. She is the witch, and James Stewart is the publisher she bewitches. Elsa Lanchester, as always, is hysterical as her mischievous and somewhat childlike aunt, also a witch. Jack Lemmon is her mischievous and somewhat sophomoric brother, a warlock. They gather occasionally at a seedy local nightclub to enjoy the company of other witches who are all living a kind of underground life, on the fringes of respectable society, never daring expose who they really are.
Another important supporting role goes to Pyewacket, Miss Novak’s cat. Particularly charming is the bond the two seem to have had. She looks quite comfortable handling him. He sprawls and hangs like a limp towel on her shoulder (mentioned in this previous post on other cat actors), and the way he stretches himself against her body, he certainly seems comfortable with her.
Kim Novak may have taken him for a model for her role, with her slow, feline, graceful, deliberate movements, her penetrating gaze, her casual, low, lazy speech. She does not appear emotionally brittle as she does in her previous films mentioned here, “Picnic” and “Strangers When We Meet”, or “Vertigo”, in which she also started with James Stewart. Here, though her character is complicated and mysterious, she comes off as a much stronger, focused person.
But she is not without her troubles. Miss Novak is bored with her life, and wistfully wonders what it would be like not to be a witch. We are told that witches cannot blush, or cry, or fall in love, and that if they ever did fall in love, they would lose their powers. Novak wonders what it would be like to be in love.
On Christmas Eve at the local witch dive, she confesses her Christmas depression (which might make her more human after all), and ruminates, “Don’t you ever wish we weren’t what we are -- that you could spend Christmas Eve in a little church listening to carols instead of bongo drums?”
She takes a fancy to upstairs neighbor James Stewart, and when she discovers that his fiancée is her old college nemesis, played razor sharp and elegant by Janice Rule, the kind of girl who led the clique and ostracized the losers, Miss Novak decides all’s fair in love and war. She goes after him.
As part of her plan, she casts a spell on an author that publisher Stewart wants to meet. That author, a charlatan investigating witchcraft, is played by the one-of-a-kind Ernie Kovacs, with his customary dizzy alcoholic logic. She casts a spell on Stewart, and one of the most memorable scenes is their Christmas morning adventure on the top of New York’s Flatiron Building. When he tosses his hat off the roof of the building, we watch is sublimely sail several stories until it slaps into the slush on 5th Avenue.
Complications ensue when her brother Jack Lemmon decides he’s tired of being poor and starts to feed real information on witchcraft to Ernie Kovacs to cash in on his book that Stewart will publish. Novak nixes this project as too dangerous to their community, and Lemmon gets his revenge when Novak is forced to confess to Stewart that she is a witch and that she had cast a spell on him.
It takes a little convincing, but eventually the light dawns and Jimmy is horrified, angry, and humiliated (his reactions are very funny). He seeks a counter spell from another local witch, played with glorious self importance by Hermione Gingold.
But we have our happy ending when Kim Novak, in spite of herself, really has fallen in love and as a result, blushes, cries, and loses her powers. And her cat. Stewart decides he really is in love too, without the spell.
Taken from John van Druten’s stage play, much of the playful language teases us with the bewitching power of sex. Novak scolds Elsa Lanchester for the pranks she plays and forbids her to use her witchcraft because she cannot be “discreet.”
Jack Lemmon, she tells Stewart, uses his powers to enhance his love life. Elsa Lanchester tells Stewart that witches cannot fall in love, “Love is quite impossible. Not hot blood, though. Hot blood is quite allowed, but of course,” she lowers her eyes, “you know all about that.”
There are other playful remarks that gesture to the history of witchcraft (or rather, suspicion of witchcraft) in America. Elsa Lanchester confides to Stewart that both Novak and Lemmon were witch prodigies as children, “We lived in Massachusetts.”
And, when Stewart, seeing that she has a confession to make and teasing her to just come out with it says, “Have you been engaging in un-American activities or something?”
To which Novak grimly replies, “No, I’d say very American. Early American.”
Obviously, this film was a huge inspiration for the successful television sitcom “Bewitched” which followed in the 1960s and early ‘70s. (Speaking of which, have a look here at this post on the Samantha statue in Salem, Mass. on my New England Travels blog.)
It’s interesting how many words we have to denote love that come from a mystical lexicon: bewitching, enchantment, magical, casting spells. Perhaps Stewart is right when he says, embracing Novak at last, “Who’s to say what magic is?”
Meet Me in Nuthatch - A publicity stunt to attract tourists to a small dying town results in the entire community turning the clock back to 1904. It is local Christmas tree farmer Everett Campbell’s idea, after watching the film “Meet Me in St. Louis,” his young daughter’s new favorite movie. What begins as half practical joke and half desperate ploy initiates the rebirth of Nuthatch, Massachusetts. Tourists do come, along with the media. To Everett’s dismay, his campaign to save their community results in also attracting representatives of a chain of theme parks who want to buy Nuthatch 1904. Everett now stands to lose his town in a way he never imagined, and the community is divided on which alternate future to choose. A local drug dealer, the longtime enemy of Everett, may hold their future in his hands unless Everett can pull off his most spectacular, and dangerous, practical joke.
“…a comforting, pleasant read that stays with you even after the last page is turned. After finishing the book, I found myself still musing about the relationships and how they'd changed and progressed. This book was a nice, hot chocolate sort of read.” Grace Krispy, "MotherLode" blog book review.
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